*****
Continuing their run of Arthur Miller plays (this is the fourth in five years), Edinburgh’s Royal Lyceum brings director John Dove’s latest adaptation to the stage in the shape of The Price, 1968’s investigation of family and society in early 20th century America.
Returning to his late fathers soon-to-be-demolished apartment to sell what remains of his furniture collection, police sergeant Victor Franz (Greg Powrie) discusses his upcoming retirement with wife Esther (Sally Edwards) as antique dealer Solomon (James Hayes) arrives.
As Victor and Solomon work on a deal for the complete collection, Victor’s older brother Walter (Aden Gillett) turns up, prompting memories of the past to resurface in both brothers as the spectre of their father hangs over them.
As with many Miller scripts, family, loyalty and memory are crucial elements of The Price. From the opening moments, as Victor stalks the room where he and his father spent so much time eking out a living after the 1929 Wall Street Crash, we’re can see the past colliding with the present.
The furniture piled high around the set and the music on the gramophone reinforces Victor’s memories of his youth, the arrival of Walter and his remembrance of the past yet another blow to Victor’s somewhat fragile grasp on his own recollections.
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