Sunset Song, the first instalment of Lewis Grassic Gibbon’s highly regarded Scot’s Quair trilogy has always been plagued by an identity crisis of sorts. At the time of its 1971 BBC adaptation the novel was facing consignment to the literary graveyard as its life in print seemed under threat.
Thanks to the success of that screenplay however and a guaranteed place on secondary school library shelves the past three decades have seen a revival in its fortunes, peaking in 2005 when it was voted Best Scottish Book of All Time.
Now, as His Majesty’s Theatre company reaches the penultimate leg of its national tour at Edinburgh’s King’s Theatre, Sunset Song reaches out to a new audience, challenging them to inspect and re-evaluate their own relationship with their land and heritage.
A sense of schizophrenia abounds at the heart of the production with Grassic Gibbon’s protagonist Chris Guthrie constantly referring to two Chrises. There’s the Chris bound to a life of toil on the land of her parents’ farm in the Howe o’ the Mearns and then there’s the second Chris, the Chris lauded as the family’s scholar and encouraged by her father to stick to her books with the promise of a liberating career in teaching.
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Tags: King's Theatre, Sunset Song
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